Maroon Choreography Tonnus Oosterhoff who translated Cavalcanti for the

who translated Cavalcanti for the nineteenth century

in our belatedness

sadé mucks up orthography to investigate disorienting practices of refusal and wade through the fundamental feltness and unintelligibility of thingness

Alfred Schaffer

Maroon Choreography Tonnus Oosterhoff who translated Cavalcanti for thefahima ife In Maroon Choreography fahima ife speculates on the long (im)material, ecological, and aesthetic afterlives of black fugitivity. In three long form poems and a lyrical essay, they examine black fugitivity as an ongoing phenomenon we know little about beyond what history tells us. As both poet and scholar, ife unsettles the history and idea of black fugitivity, troubling senses of historic knowing while moving inside the continuing