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The infinite image: Art, Time and the Aesthetic Dimension in Antiquity. Grèce Paulhan éclaire ce qui le

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Paulhan éclaire ce qui le lie à Alain

la religion

que toute l’œuvre de l’homme avait été de cacher

s’enivre de sa liberté mais ne peut ébaucher un pas sans souffrir

The infinite image: Art, Time and the Aesthetic Dimension in Antiquity. Grèce Paulhan éclaire ce qui leIn the ancient civilizations of the Near East and Mediterranean, images were used as a way to create reality and reach out to the infinite. Reviving the fascination that gripped the avant garde and the surrealists when confronted with the arts of the ancient Near East, The Infinite Image presents a radical new reading of Mesopotamian art as an aesthetic realm defined by objects that transcend time in order to carry traces of the past into the present.

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